Current Exhibition.
Browse and shop from Desmond Burdon’s most recent exhibition:
“Magdalene Laundries”
Sept 2025
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“This body of work confronts one of the darkest stains on Ireland’s modern history, the Magdalene Laundries. For over a century, young women and girls, often abandoned, pregnant, or simply deemed “fallen,” were imprisoned, exploited, and dehumanised under the control of Catholic Nuns and Priests. Cloaked in piety, these institutions became sites of forced labour, violence, and silence, where power was misused in the name of morality.
The last laundry closed as late as 1993. The Irish Government has since admitted responsibility, offering compensation schemes to survivors. The Catholic Church, however, continues to deny its culpability, refusing to acknowledge its role in this systemic abuse. This denial is a second crime, one that deepens the wounds of the women and their families.
It must also be said that not all Nuns were cruel. Some were compassionate, kind, and quietly humane. But even they were bound by the strict rules of the convent, silenced by obedience and by fear of disbelief if they ever spoke out. The system itself ensured that individual kindness was powerless against collective cruelty.
Through these works, I aim to strip away the veil of sanctity, exposing the cruelty that hid behind religious authority. The imagery is deliberately confrontational: irony against iconography, violence against virtue. It is not just a reminder of the past but a reflection of the present, a commentary on power, silence, and the dangerous cost of blind faith. The people’s response is clear: a turning away from Catholicism, from institutions that chose protection of power over truth.”
In the mist of early morning, men stand at a distance, turning their eyes as a family delivers their pregnant daughter to the convent gates. They know the truth of her violation, they know the guilty man, yet fear of the Church silences them. Their shame is not enough to save her.
All of my images are digital collage. Each image begins as a gathering — fragments of found imagery, textures, painted and drawn elements, and at times AI-assisted material. These are raw components. I dismantle, rework, paint into and rebuild, then layer digitally until they resolve into something entirely new. The final image is not generated. It is composed.
They are printed on German Etching Archival Hahnemühle 320gsm paper, with archival pigments. Each print is signed and numbered with a certificate of authenticity.
All works are available in 4 sizes, limited editions:
1x A0 (841 x 1190mm)
2x A1 (594 x 841mm)
3x A2 (420 x 594mm)
4x A3 (297 x 420mm)
A0 $2,500 / A1 $1,000 / A2 $500 / A3 $225
Shipping, courier and packing available worldwide at cost.
In secrecy, a young pregnant woman is delivered to the convent gates. The Sisters close in, already circling their prey, while in the background her mother passes cash to the Mother Superior. A daughter abandoned, a bargain struck, and a lifetime of torment begins.
All of my images are digital collage. Each image begins as a gathering — fragments of found imagery, textures, painted and drawn elements, and at times AI-assisted material. These are raw components. I dismantle, rework, paint into and rebuild, then layer digitally until they resolve into something entirely new. The final image is not generated. It is composed.
They are printed on German Etching Archival Hahnemühle 320gsm paper, with archival pigments. Each print is signed and numbered with a certificate of authenticity.
All works are available in 4 sizes, limited editions:
1x A0 (841 x 1190mm)
2x A1 (594 x 841mm)
3x A2 (420 x 594mm)
4x A3 (297 x 420mm)
A0 $2,500 / A1 $1,000 / A2 $500 / A3 $225
Shipping, courier and packing available worldwide at cost.
A pack of Nuns descend as one, their sticks raining blows on a young woman with her head freshly shaven. On her knees she pleads for mercy, but none is given. The ritual of punishment replaces the ritual of prayer, cruelty disguised as discipline, violence sanctified by the habit.
All of my images are digital collage. Each image begins as a gathering — fragments of found imagery, textures, painted and drawn elements, and at times AI-assisted material. These are raw components. I dismantle, rework, paint into and rebuild, then layer digitally until they resolve into something entirely new. The final image is not generated. It is composed.
They are printed on German Etching Archival Hahnemühle 320gsm paper, with archival pigments. Each print is signed and numbered with a certificate of authenticity.
All works are available in 4 sizes, limited editions:
1x A0 (841 x 1190mm)
2x A1 (594 x 841mm)
3x A2 (420 x 594mm)
4x A3 (297 x 420mm)
A0 $2,500 / A1 $1,000 / A2 $500 / A3 $225
Shipping, courier and packing available worldwide at cost.
A Nun towers above, emptying the contents of a chamber pot over a kneeling young mother. Behind them, coloured light pours through stained glass, St John baptising Christ in pure waters. Holiness becomes humiliation, baptism becomes desecration.
All of my images are digital collage. Each image begins as a gathering — fragments of found imagery, textures, painted and drawn elements, and at times AI-assisted material. These are raw components. I dismantle, rework, paint into and rebuild, then layer digitally until they resolve into something entirely new. The final image is not generated. It is composed.
They are printed on German Etching Archival Hahnemühle 320gsm paper, with archival pigments. Each print is signed and numbered with a certificate of authenticity.
All works are available in 4 sizes, limited editions:
1x A0 (841 x 1190mm)
2x A1 (594 x 841mm)
3x A2 (420 x 594mm)
4x A3 (297 x 420mm)
A0 $2,500 / A1 $1,000 / A2 $500 / A3 $225
Shipping, courier and packing available worldwide at cost.
Delivered by police or social services, a wayward girl is handed over to the Nuns for “reform.” Her hair is shaved, her name stripped, replaced with a number. The government paid for her care, the convent profited from her labour, and society was told she was being saved. In truth, she was enslaved.
All of my images are digital collage. Each image begins as a gathering — fragments of found imagery, textures, painted and drawn elements, and at times AI-assisted material. These are raw components. I dismantle, rework, paint into and rebuild, then layer digitally until they resolve into something entirely new. The final image is not generated. It is composed.
They are printed on German Etching Archival Hahnemühle 320gsm paper, with archival pigments. Each print is signed and numbered with a certificate of authenticity.
All works are available in 4 sizes, limited editions:
1x A0 (841 x 1190mm)
2x A1 (594 x 841mm)
3x A2 (420 x 594mm)
4x A3 (297 x 420mm)
A0 $2,500 / A1 $1,000 / A2 $500 / A3 $225
Shipping, courier and packing available worldwide at cost.
An eight-year-old girl breaks a teacup. The punishment: the shards tied around her neck, three days and nights of degradation, eating from the floor with her hands bound like an animal. In the hands of the Nuns, innocence became crime, and cruelty became ritual.
All of my images are digital collage. Each image begins as a gathering — fragments of found imagery, textures, painted and drawn elements, and at times AI-assisted material. These are raw components. I dismantle, rework, paint into and rebuild, then layer digitally until they resolve into something entirely new. The final image is not generated. It is composed.
They are printed on German Etching Archival Hahnemühle 320gsm paper, with archival pigments. Each print is signed and numbered with a certificate of authenticity.
All works are available in 4 sizes, limited editions:
1x A0 (841 x 1190mm)
2x A1 (594 x 841mm)
3x A2 (420 x 594mm)
4x A3 (297 x 420mm)
A0 $2,500 / A1 $1,000 / A2 $500 / A3 $225
Shipping, courier and packing available worldwide at cost.
A frenzy of Nuns claw their way toward the confessional, desperate to cleanse their sins. Behind the curtain, forgiveness is cheap: a whispered prayer, a token penance, and the slate is wiped clean. They emerge absolved, ready to begin the cycle of cruelty again, absolution as licence, confession as complicity.
All of my images are digital collage. Each image begins as a gathering — fragments of found imagery, textures, painted and drawn elements, and at times AI-assisted material. These are raw components. I dismantle, rework, paint into and rebuild, then layer digitally until they resolve into something entirely new. The final image is not generated. It is composed.
They are printed on German Etching Archival Hahnemühle 320gsm paper, with archival pigments. Each print is signed and numbered with a certificate of authenticity.
All works are available in 4 sizes, limited editions:
1x A0 (841 x 1190mm)
2x A1 (594 x 841mm)
3x A2 (420 x 594mm)
4x A3 (297 x 420mm)
A0 $2,500 / A1 $1,000 / A2 $500 / A3 $225
Shipping, courier and packing available worldwide at cost.
The polished civility of afternoon tea masks a darker transaction, the quiet bargaining of children’s lives. While smiles and china cups fill the room, the mothers behind the walls endure cruelty and despair.
All of my images are digital collage. Each image begins as a gathering — fragments of found imagery, textures, painted and drawn elements, and at times AI-assisted material. These are raw components. I dismantle, rework, paint into and rebuild, then layer digitally until they resolve into something entirely new. The final image is not generated. It is composed.
They are printed on German Etching Archival Hahnemühle 320gsm paper, with archival pigments. Each print is signed and numbered with a certificate of authenticity.
All works are available in 4 sizes, limited editions:
1x A0 (841 x 1190mm)
2x A1 (594 x 841mm)
3x A2 (420 x 594mm)
4x A3 (297 x 420mm)
A0 $2,500 / A1 $1,000 / A2 $500 / A3 $225
Shipping, courier and packing available worldwide at cost.
A young mother fights against the grip of the Sisters, her arms reaching toward the car that carries her child away forever. No papers, no rights, only money passed hand to hand. Her cries vanish into silence, leaving a wound that can never heal.
All of my images are digital collage. Each image begins as a gathering — fragments of found imagery, textures, painted and drawn elements, and at times AI-assisted material. These are raw components. I dismantle, rework, paint into and rebuild, then layer digitally until they resolve into something entirely new. The final image is not generated. It is composed.
They are printed on German Etching Archival Hahnemühle 320gsm paper, with archival pigments. Each print is signed and numbered with a certificate of authenticity.
All works are available in 4 sizes, limited editions:
1x A0 (841 x 1190mm)
2x A1 (594 x 841mm)
3x A2 (420 x 594mm)
4x A3 (297 x 420mm)
A0 $2,500 / A1 $1,000 / A2 $500 / A3 $225
Shipping, courier and packing available worldwide at cost.
A young woman writhes in her sleep, trapped in a nightmare. Around her, the dark figures of Nuns loom and close in, her lifelong tormentors. Once abused, silenced, and stripped of worth, she carries their cruelty in her mind forever. What began in the convent never truly ended.
All of my images are digital collage. Each image begins as a gathering — fragments of found imagery, textures, painted and drawn elements, and at times AI-assisted material. These are raw components. I dismantle, rework, paint into and rebuild, then layer digitally until they resolve into something entirely new. The final image is not generated. It is composed.
They are printed on German Etching Archival Hahnemühle 320gsm paper, with archival pigments. Each print is signed and numbered with a certificate of authenticity.
All works are available in 4 sizes, limited editions:
1x A0 (841 x 1190mm)
2x A1 (594 x 841mm)
3x A2 (420 x 594mm)
4x A3 (297 x 420mm)
A0 $2,500 / A1 $1,000 / A2 $500 / A3 $225
Shipping, courier and packing available worldwide at cost.
Beneath the convent walls, the pipes carry both waste and bodies. Infants, miscarried, stillborn, or gone too soon, discarded into sewage tanks as if they were refuse. No names, no prayers, no graves. Holiness above, desecration below.
All of my images are digital collage. Each image begins as a gathering — fragments of found imagery, textures, painted and drawn elements, and at times AI-assisted material. These are raw components. I dismantle, rework, paint into and rebuild, then layer digitally until they resolve into something entirely new. The final image is not generated. It is composed.
They are printed on German Etching Archival Hahnemühle 320gsm paper, with archival pigments. Each print is signed and numbered with a certificate of authenticity.
All works are available in 4 sizes, limited editions:
1x A0 (841 x 1190mm)
2x A1 (594 x 841mm)
3x A2 (420 x 594mm)
4x A3 (297 x 420mm)
A0 $2,500 / A1 $1,000 / A2 $500 / A3 $225
Shipping, courier and packing available worldwide at cost.
In darkness, the convent unearthed the bodies from unmarked graves, not to honour them, but to destroy the evidence. The remains were burned, the truth turned to ash. What was once hidden beneath the soil is now hidden forever in smoke.
All of my images are digital collage. Each image begins as a gathering — fragments of found imagery, textures, painted and drawn elements, and at times AI-assisted material. These are raw components. I dismantle, rework, paint into and rebuild, then layer digitally until they resolve into something entirely new. The final image is not generated. It is composed.
They are printed on German Etching Archival Hahnemühle 320gsm paper, with archival pigments. Each print is signed and numbered with a certificate of authenticity.
All works are available in 4 sizes, limited editions:
1x A0 (841 x 1190mm)
2x A1 (594 x 841mm)
3x A2 (420 x 594mm)
4x A3 (297 x 420mm)
A0 $2,500 / A1 $1,000 / A2 $500 / A3 $225
Shipping, courier and packing available worldwide at cost.